This was the first year that Monet did not participate. Only the 16 men were listed and it did not sit well with the painter who complained that it was 'idiotic.' Much to the dismay of Degas, the poster for the fifth Impressionist exhibition omitted the names of the women artists: Marie Braquemond, Mary Cassatt, and Berthe Morisot. Mary Stevenson Cassatt (American, 1844-1926). Title: Exhibition of Independent Artists.It also showed his famous 'Rue Montorgueil, 30th of June 1878' (1878, Musée d'Orsay Paris) with its plethora of French flags surrounding the crowded boulevard. The work totaled 246 pieces, including an older piece by Monet 'Garden at St. The fourth exhibition included 16 artists, though only 14 were listed in the catalog as Gauguin and Ludovic Piette were last-minute additions. It did, however, bring in new talent, including Marie Braquemond, Paul Gauguin, and the Italian Frederico Zandomeneghi. The 1879 exhibit lacked several notable names like Cezanne, Renoir, Morisot, Guillaumin, and Sisley, but it brought in over 15,000 people (the first had just 4,000). Monet included his 'St Lazare Train Station' paintings, Degas exhibited 'Women in Front of a Café' (1877, Musée d'Orsay, Paris), and Renoir debuted 'Le bal du moulin de la Galette' (1876, Musée d'Orsay, Paris) In this show, a total of 241 pieces of work went on display by 18 painters. Apparently, he also had the temperament to quell disputes between the strong personalities involved. It was headed by Gustave Caillebotte, a relative newcomer who had some capital to back up the show. This exhibit took place in the same gallery as the second.

Yet, in the first exhibit, Monet's piece led one critic to use the term 'Impressionists.' By 1877, the group accepted this title for themselves.

Prior to the third exhibition, the group was known as the 'Independents' or the 'Intransigents' by critics. National Gallery of Art, Washington, D.C.īoard of Trustees, National Gallery of Art, Washington, D.C.

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